Category: SCRAP

Puzzle pre fixe

Location:  San Francisco, California

Date Played: February 21, 2019

Team size: 3-10; we recommend exactly 5 or exactly 10

Duration: 60 minutes

Price: $32 per person weekdays, $33 per person weekends

Ticketing: Public

Emergency Exit Rating: [A+] No Lock 

Physical Restraints: [A+] No Physical Restraints

REA Reaction

SCRAP once again created a unique escape game structure clever enough that it could be a genre unto itself.

The entirety of Spellbound Supper happened in our seats around a dinner table.

SCRAP used a combination of real life objects, projection, and a Microsoft Kinect to allow us to gesture and interact with the projected items. It was “magical” in the Steve Jobs sense of the word.

Spellbound Supper was an amazing concept and a remarkable experience. At the same time, the game felt unfinished. There were many little places where added refinement would have made all the difference.

We would love to see more games in this style. SCRAP could and should push this idea even further. It was mind-opening and entertaining. Throughout the experience, despite the imperfections, I couldn’t help but marvel at how much fun it was.

If you’re in San Francisco, this one is absolutely worth checking out. Much like The Popstar’s Room of Doom it wasn’t perfect, but its cleverness and novelty greatly outweighed its flaws.

Who is this for?

• Puzzle lovers
• Technophiles
• Fantasy fans
• Players with mobility struggles
• Players with at least some experience
• Players who don’t need to be a part of every puzzle

Why play?

• The brilliant use of technology
• The dramatic yet simple setting
• Unusual gameplay, challenges, and puzzles

Story

We’d heard legend of a risky dinner served by a powerful witch. Those who had attended, if deemed worthy, had been rewarded with wonderful magical abilities. Everyone else who had dined with the witch had vanished.

Setting

Spellbound Supper was an escape room played entirely at a dinner table. All of the puzzles and components were either delivered by our server or projected onto the stark white table cloth.

The projected graphics were beautiful.

The room itself was elegant and slightly intimidating, but not in a frightening way. Its minimalist intensity combined with the demeanor of our server to create an imposing vibe.

Gameplay

Real Escape Games by SCRAP’s Spellbound Supper was an atypical escape room with a high level of difficulty.

The unorthodox environment added challenge. We had to solve different types of puzzles – printed and projected – from our seats at the table.

Core gameplay revolved around observing, making connections, puzzling, and using the magical tools we were provided.

Analysis

➕ The dinner table theme was novel. This was our first puzzle feast.

➕ Although we didn’t move from our seats at the table for the duration of the game, Spellbound Supper kept our attention focused on the meal. SCRAP used projection mapping to reveal the gameplay. It was magical and visually intriguing.

➖ The courses progressed rather nonsensically. There didn’t seem to be any reason – story-driven or puzzle-driven – supporting this progression.

➕/➖ The technology could be finicky. We were torn about it. On the one hand, straight video games do some of this better. On the other hand, it was entertaining to be playing a video game with real props, in real life.

➖ We became impatient with the mechanics. We had to wait for long voiceovers to finish. When we made mistakes – which we did often as we pieced together how to solve puzzles – we had to finish a failed cycle repeatedly, which became tedious and took away from the magic feeling magical. We spent a fair bit of time waiting to get back to puzzle-solving. A reset interaction would have been a big improvement.

➕ Spellbound Supper assigned us roles. These were pretty even. You couldn’t draw the short straw. Additionally, the roles were vital to the experience. (For this reason, we recommend you play with a group of exactly 5 or exactly 10 people.)

➖ There weren’t a whole lot of props and the ones they had felt chintzy. With a few more details, dinner would have been classier, and the game more polished.

➖ There was a lot to read. Seated at a table, we had to pass cards around in low light. We would have preferred this part to be better incorporated into the projection mapping or the physical gameplay.

➖ We played with 2 groups of 5 players each. The two groups played the game simultaneously around separate tables without ever interacting, or even seeing each other. We finished at different times, which lead to confusing, anticlimactic endings. The audio kept playing while we tried to figure out if we’d won it or if there was more.

➕ As is typical of SCRAP games, there were a few twists. These were mostly fair challenges that mostly made sense, well… it was still a difficult SCRAP game with an obligatory logic leap or two.

➕ Spellbound Supper was fun. Even in moments of frustration, I was eager to try again, see the next challenge, and explore the interactions. It was so unlike any other escape room we’ve played and the novelty was part of the fun.

Tips For Visiting

• The Japantown parking garage is across the street.
• There are lots of great restaurant options in Japantown.
• There is no real food served as part of this game.

Book your hour with Real Escape Games by SCRAP’s Spellbound Supper, and tell them that the Room Escape Artist sent you.

Disclosure: Real Escape Games by SCRAP provided media discounted tickets for this game.

New SCRAP On The Block

Location: San Francisco, CA

Date Played: August 21, 2018

Team size: 4-9; we recommend 4-5

Duration: 60 minutes … ish

Price: $33 per ticket

Ticketing: Public

REA Reaction

SCRAP, the creators of the escape room format, did it again: they created an entirely new 60-minute immersive gaming structure. We found ourselves trapped in a 5-minute actor-driven time loop that kept ending with the death of our neighbor in the apartment across the alley.

The Pop Star’s Room of Doom was unlike anything we had ever played before. It’s a concept we hope others explore too. The core gameplay was pure genius. Although aesthetically it was subpar and the story left a bit to be desired, it was remarkably innovative and intriguing.

I’m so glad that we played The Pop Star’s Room of Doom and strongly encourage anyone who is interested in gameplay and innovation in the escape game format to check this one out.

Who is this for?

• Players who welcome a challenge
• People who can ignore a weak set
• Story seekers
• 1990’s pop fans
• Any experience level
• Patient players
• SCRAP fans

Why play?

• Brilliant time loop game mechanic
• Humor
• Read challenge
• Wonderfully innovative

Story

So we like, totally lived across the street from our favorite popstar Angel Infinity… and like, witnessed his murder. And like, as soon as he died, we time looped back to Angel entering the apartment again. It was like Groundhog Day and we like, had to save Angel’s life.

Setting

The Pop Star’s Room of Doom played out across two adjacent apartments (rooms) separated by a few feet of “alleyway.” The first room was “our apartment,” a bare, white-walled space with a locked box, a white board, a giant cassette sticker on the floor, and a window that looked out into the other room. The room was barren and worn.

The other room was the pop star’s apartment: a living room filled with Ikea furniture and assorted ’90s geekery. The pop star’s room was essentially a stage with an actor. We never set foot in that space; we could only view it.

Gameplay

Real Escape Games by SCRAP’s The Pop Star’s Room of Doom was an atypical escape room.

A single series of events repeated on loop. With each loop, we could take actions to affect how the events played out. Each decision we made was reflected in the actor’s changed behavior and a change in how he died. We needed to determine which actions to take when in order to save Angel Infinity.

The Pop Star’s Room of Doom was challenging because the gameplay and strategy were unorthodox… and every choice we made could introduce a new unforeseen variable into the equation.

Core gameplay revolved around observation, attention to detail, patience, coordinated efforts, and repetitive actions.

Analysis

+ The time loop concept was incredible. SCRAP’s earlier game Escape From The Time Travel Lab was essentially an escape room that pulled the time travel mechanic from The Legend of Zelda: A Link To The Past and reimagined it for an early escape room. The parts of that game that revolved around time travel were brilliant. The Pop Star’s Room of Doom focused entirely on time travel, but did so in a way that was much more akin to The Legend of Zelda: Majora’s Mask. By putting us in a constant time loop, the gameplay was unique and focused.

– There’s a technical term for the aesthetics of The Pop Star’s Room of Doom… and that word is hideous. This was one of the ugliest escape games that I’ve ever seen. I assume that SCRAP was trying to limit the variables in the gamespace to streamline gameplay, but this could have been done with some elegance and finesse… or the least some upkeep and maintenance.

+ Each time loop took less than five minutes. SCRAP introduced an impressive amount of variability and traps within that brief span of time.

+ The Pop Star’s Room of Doom thoughtfully explored the time loop concept and made us think carefully about what our options really were.

+ The solutions were well clued. While they might not always have been plausible, they followed logically.

– By the time we had solved the game in our 8th loop, we had become so efficient at our respective jobs within the game that we spent a lot of the time waiting. The drama had diminished. This could have been compensated for with a really interesting conclusion, but that never materialized.

– If a team doesn’t follow the early learning curve properly, it’s possible to burn a few time loops with silly early mistakes and ultimately render the game unsolvable later.

+ SCRAP’s team oversaw this game with an impressive level of timing and discipline. Everything occurred on time in predictable ways.

+ The actors were approachable and responsive. They kept in character regardless of whether we were being cooperative, silly or rude. (We experimented a little.)

– The story fell flat for us. There was depth in gameplay, but not in the narrative. This wasn’t initially clear, but by the time we saw the story play out for the 6th time it had become apparent. Story really matters when the same scenario keeps looping.

– The game was set in 1990, but included anachronisms from later in the decade. This seemed like a silly detail to ignore.

+ The Pop Star’s Room of Doom was exciting because it felt like the birth of what should be a whole genre of immersive entertainment. SCRAP is a fount of creativity and imagination.

Tips for Visiting

• There is street parking.

Book your hour with Real Escape Games by SCRAP’s The Pop Star’s Room of Doom, and tell them that the Room Escape Artist sent you.