Price: Thursday and Sunday $42 CAD per player; Friday and Saturday $50 CAD per player
Ticketing: Public
Accessibility Consideration: A long walk to access the game includes stairs and a sloped floor.
Emergency Exit Rating: [A+] No Lock
Physical Restraints: [A+] No Physical Restraint
REA Reaction
Station M delved into the real past of Casa Loma once again, albeit in a less true-to-history fashion than in Escape from the Tower. Players journey through the underbelly of the castle before stepping foot in the game space, possibly dodging caterers and partygoers – and that might have been the most mimetic opening to a spy story I have ever played.
The spy vibe was present throughout the entire game; it’s baked into the set, the props, and the story. There was a heavy reliance on searching, specifically trying to find many parts of multiple puzzles. It didn’t feel entirely onerous, but it nearly did. We were one item short of finishing the mission for what felt like a very long time, but when that final piece came together the conclusion was satisfying. If you’re in Toronto and have a thing for old tunnels and spies, you should stop by and play.
Tribeca Interactive is a section of the Tribeca Festival (formerly Tribeca Film Festival) that showcases experiences that are “pushing the boundaries of storytelling with technology.” It consists of two sections: Immersive for VR/AR and Gaming for, well, video games.
Recently, I was able to spend an hour exploring some of the works that were available at their in-person exhibition hall. Tribeca Interactive had a hybrid format this year, allowing some programming to be viewed in the home by ticket holders. However, I do not have a home VR setup, and the good people at Tribeca Immersive allowed me to attend a VIP session and play around with some of the projects firsthand. I was also able to spend some time with the video games section – more on that later.
All told, my trip to Tribeca Interactive presented a showcase of interesting upcoming tech-based experiences with a few video games as the major highlights.
Immersive
First, I should address the word ‘immersive.’ If you’re reading this particular article on this particular website, you might have a certain idea about what the word immersive means – Sleep No More or The Nestcome to mind. At Tribeca, the word ‘immersive’ had a narrower definition and it had everything to do with technology. Each project was based entirely in VR or AR. And while I absolutely enjoyed my time and experience there, it didn’t exactly match my expectations.
With only an hour in the exhibition hall, I was only able to view a selection of the works. Here is what I was able to experience:
If you enjoy The Puzzler, we hope you’ll check out our interview with author A.J. Jacobs on The Reality Escape Pod.
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Author: A.J. Jacobs
Year: 2022
Page count: 240 pages of written material; about 80 pages of puzzles and solutions
Price: $28.00
Publisher: Crown
REA Reaction
It’s easy to understand why author A.J. Jacobs has been on the New York Times bestseller list 4 times. His writing throughout The Puzzler is engaging and very easy to binge. I needed to make myself put the book down multiple times in order to reflect on what he had written rather than just turning to the next chapter.
Packed full of humor, anecdotes, and insight, The Puzzler was a delight to read. Jacobs does a wonderful job of making this book feel personal. He shares his triumphs and secret (well, not so secret anymore) puzzle shames, we meet his family, and we follow him around the world. We also meet some of his political leanings through some offhand commentary, which I didn’t feel was necessary in a book about puzzling.
He immersed himself in puzzles for years to write this book and provides meaningful conversation on a broad spectrum of puzzles. With nearly 20 puzzle types covered, readers will read about one they really love but likely also one that they don’t care for. My litmus test was chess puzzles; I’ve just never been interested in them. And while I still don’t feel compelled to delve into them the way Jacobs did (sitting down with Garry Kasparov himself), I still enjoyed the chapter and left with a greater appreciation of the style.
At this point, everyone has a long list of things that they missed out on in 2020. As a board game enthusiast, one item on my list was PAX Unplugged. PAX, formerly Penny Arcade Expo (named for the webcomic created by the founders of the event), is a series of conventions focusing on gaming of all types. PAX Unplugged is the version of the event that focuses on analog gaming: board games, tabletop role playing games, and miniature games to name just a few. As an attendee in both 2018 and 2019, I was understandably disappointed when the 2020 version of the con was canceled. Thankfully, PAX was able to bring back Unplugged for 2021 and I made the trip to Philadelphia for it.
What Was There
As might be expected, I spent my three days at PAX with a keen eye towards anything that looked like a tabletop escape game.
Thames & Kosmos, maker of the Exit the Game series of card-based tabletop escape games, had a booth displaying Exit games as well as many of their other products.
There was a lone and seemingly random stack of printed company information sheets for Hunt A Killer. They had no physical presence that I saw, and the stack of papers wasn’t even in the expo hall.
While there was not a major presence from the typical escape-style games that we have been playing and reviewing, there were plenty of other tabletop games to be excited about. With a growing tendency for enthusiasts to look towards playing rooms that tell a good story, I also kept an eye out for board games that did the same thing. Two mechanics stand out as exemplifying a growing desire for story in games: legacy and storytelling.
Legacy Games
Legacy games are long format and designed to be played over multiple sessions. Decisions that are made in one round change what will happen in future rounds. Currently 3 of the top 10 spots on the overall rankings on BoardGameGeek.com are tagged as having the legacy mechanic.
The legacy game that hyped me up the most at PAX this year was Isla Nublar. Fans of amazing dinosaur movies will recognize that name as the island on which some of the Jurassic Park films take place. Isla Nublar will let players collaboratively build a park from the ground up, breed dinosaurs, and probably have to find a way to stop the rampaging dinosaurs that you have bred. Plus, you’ll be taking on the roles of actual characters like John Hammond, Dr. Ellie Sattler, and Ian Malcolm.
This joke… uhh… found a way.
The Storytelling Mechanic
The storytelling mechanic also places story at the center of the game by making it an essential element that players interact with. The game currently holding the #1 overall spot on BoardGameGeek.com is a massive game that has storytelling as a tagged mechanic. There can be significant overlap between the legacy and storytelling mechanics, but storytelling games always have a heavy focus on the narrative. Some legacy games – like Risk Legacy – are more concerned with shaping the rules of the game as you play.
At PAX, I found myself drawn to Plaid Hat Games’ Familiar Tales. In this game, players take on the role of magical creatures guiding a young princess through her life, helping her develop her skills and personality. Decisions made by the players influence the type of person the princess turns out to be, and change the way the story develops over time.
Unrelated to those mechanics, my big takeaways were Night Cage and Omega Virus. Night Cage is an atmospheric, monochromatic, cooperative game about escaping a labyrinth full of darkness and some monsters. Omega Virus originally released in 1992 and is slated to see a rebirth thanks to the efforts at Restoration Games. I had the original version way back when, and I’m excited to see what the eventual update and re-release has to offer.
What Wasn’t There
I was hopeful that I would see some escape-adjacent games that were new to me. But many of the games we’ve reviewed come from 3 major areas:
1) Escape companies making either relatively small print runs or print-and-play games (e.g. Lost Temple from CU Adventures);
3) Major publishers for whom escape content is a small fraction of their business (ThinkFun and Mattel and the above-mentioned Thames & Kosmos).
With the costs of travel, lodging, and a booth, is it reasonable to expect that small producers will be able to exhibit their wares at an event like PAX Unplugged? I’ve heard enough escape room owners discuss a distinct lack of free time due to running their businesses to understand that it is likely out of the question for them to attend a convention like this. But both the creators of boxed escape games and the more standard board game community at large would benefit from increased crossover. I know as a board gamer I am always interested in playing new styles of games and learning new mechanics. I see no reason why there wouldn’t be a subset of tabletop gamers that would appreciate being exposed to an escape-room style boxed game.
Perhaps there is a space for small publishers to group up and share a booth for the common good? The core concept worked in the indie video game world; the Indie Mega Booth was almost exactly this for small digital producers. They had a booth at 25+ conventions over the last decade, helping to get small developers space on the all-important expo floor. Unfortunately, due to COVID-19, Indie Mega Booth is currently in a ‘hibernation’ phase pending an end to the pandemic. Even so, could some effort like this be possible for tabletop escape games?
Just Being There
Games and such aside, I can’t overstate just how nice it was to be somewhere that I hadn’t been since before, you know, all this stuff happened. It didn’t feel “normal” with the masks and the reduced footprint and the vaccine-verifying wristband, but it sure felt close to normal. The convention felt populated but not packed, with enough breathing room and elbow space to make me feel comfortable in this new era of being much more conscious of nearby people and all their inhaling and exhaling. I was able to talk with strangers about shared interests. I heard dozens of pitches for games and accessories. I went to seminars and panel discussions. I interacted with strangers!
Maybe most importantly, I met up with friends! PAX Unplugged 2021 was a miniature Room Escape Artist meetup almost entirely accidentally. Of course, we were easily identified in the crowd thanks to us all wearing RECON swag throughout the weekend. I hadn’t seen my friends in the real world in years. Maybe it’s a bit cliché, but seeing these people was a major highlight of the weekend.
I’d like to give a big thanks to PAX for the media credentials, and allowing me to feel like I was a part of the community again. I look forward to the next convention, and then the next convention after that. I hope you do, too. See you in Boston this August?
Escape Simulator is included in our recommendation guide for Play On-Demand Online Escape Games. For more of the best online escape games in this style, check out the recommendation guide.
🎶 This is the game that never ends… 🎶
Location: at home
Developer & Publisher: Pine Studio
Date Played: October & November 2021 (version 1.0.18718r)
Team size: varies; solo and co-op modes available
Duration: official levels: 4+ hours; user-created rooms and creating your own rooms: basically forever
Platform: PC, Mac & SteamOS + Linux on Steam
Price: $14.99 on Steam
REA Reaction
Pine Studio’s Escape Simulator is not just a single escape room but an entire platform based around playing and creating custom escape games. My initial take on Escape Simulator was that it felt eerily similar in some ways to playing an in-person game. After putting many hours into playing this title, that still holds true.
There are three main ways that a player can engage with Escape Simulator. There are official escape rooms, a workshop for building custom rooms, and published user-generated rooms. Because each of these game modes is unique, I will address them separately. Whether you want to explore this game purely as a player, you just want to build perplexing puzzles, or you think you can try your hand at both this game has a lot to offer.
12/23/21 Update – This review was originally written in November 2021 and some notes have been added to reflect game updates since then.
