On May 5th, our team played The Legend of Zelda: Defenders of the Triforce by Real Escape Games (aka SCRAP) in New York City.
We previously published a review of this game from its time in Los Angeles, California. Our friend and regular teammate Sarah Willson did such an amazing job of guest reviewing it that most of our readers didn’t realize that someone else wrote it.
Looking back at her review, we completely agree with her assessment and will not write an additional review. I’ll add that of the various mass escape events that we’ve played by SCRAP, The Legend of Zelda: Defenders of the Triforce was the most fun and cohesive.
Unlike most escape games, The Legend of Zelda: Defenders of the Triforce received a lot of media attention. This came in the form of pre-game hype, followed by a lot of mixed and disappointed post game reports:
Kotaku: The Zelda Escape Room Is A Little Disappointing (And Not Really An Escape Room)
The Verge: We played a real-life Zelda adventure and Ganondorf won
Engadget: Playing Zelda in real life is a lot like doing grade-school homework
Zelda has withstood the test of time, sticking around for 30 years. It has transcended generations. A number of its installments are some of the finest video games ever created. Since Zelda is one of the most beloved video game franchises in history, this disappointment was inevitable for a number of reasons that I’m going to explore.
SCRAP doesn’t highlight the fact that their mass escape events bear little resemblance to modern escape rooms in North America (especially the high end). Upon further probing, however, they are quick to point out that their mass events are not “escape rooms.” They call them “escape games.” Ironically, this is the same sort of hair-splitting that makes their mass escape events so frustrating.
As an escape room player and reviewer who simply wants more people to become aware of all of the magnificent escape rooms out there, this drives me up the wall.
Given Zelda’s popularity, this event was an incredible opportunity to introduce more mainstream players to modern escape rooms… but this event didn’t do that.
My very first escape room review was of a SCRAP mass event, Escape From the Werewolf Village, in mid-2014. I left that game legitimately worried that first-time escape game players would think that a SCRAP escape event was indicative of the larger industry (which at the time was admittedly tiny and underdeveloped). I feel the exact same way about Defenders of the Triforce.
It was a fun mass escape event, more fun than any of the other SCRAP events that we’ve played. It was fun when considered as a short puzzle hunt. However, it was neither a good representation of modern North American escape rooms nor an exceptional Zelda game.
SCRAP was founded in Japan in 2007. They were also the first escape room company in the United States when they opened in San Francisco in 2012.
At Up The Game 2017, Yu-lin Chiu, writer of ASIA.EscapeGames, spoke about the escape room markets in East Asia. She explained how escape room design in Japan differs profoundly from other countries in Asia, as well as from Europe and the United States.
Japanese escape rooms are primarily paper-based events with minimal set design or story. They are more similar to short puzzle hunts than what we in the United States commonly think of as escape rooms.
This has confirmed for us what we have long believed to be a fundamental expectations gap between the games that SCRAP brings to the United States and the general market trends within the American escape room scene.
Legend of Zelda: Breath of the Wild
Possibly the biggest difference between Sarah’s playthrough of Defenders of the Triforce and mine was the release of Legend of Zelda: Breath of the Wild on Nintendo Switch… the game that Defenders of the Triforce was essentially advertising on its North American tour.
In February, Sarah played SCRAP’s Defenders of the Triforce in anticipation of the release of Legend of Zelda: Breath of the Wild.
By the time we played Defenders of the Triforce in May, I had been playing Breath of the Wild for 6 weeks or so, sneaking it in between work and running Room Escape Artist. I am loving this game and taking my time to milk it for everything that it is worth. Going into Defenders of the Triforce I had been immersed in one of the Zelda franchise’s most magnificent specimens. This greatly elevated my expectations and set Defenders of the Triforce up for failure.
I’m glad that Sarah wrote the review without having just played Breath of the Wild. She could more easily separate SCRAP’s escape event from the video game expectations.
Actual Zelda room escape
I wish that Defenders of the Triforce were not a mass escape event, but a full blown, large-budget escape room. The material lends itself to an incredible escape room and I can think of a number of escape room companies that could build mind-blowing experiences with the concept.
SCRAP put on a fun mini-puzzle hunt. They leveled up their storytelling and set design. They made the puzzling generally more accessible. They navigated logistics well. Defenders of the Triforce was a huge step forward in meshing Japanese-style escape room events with North American preferences.
That said, SCRAP is simply not equipped to fully realize the potential of this franchise for a North American audience, especially in the mass escape format.
Defenders of the Triforce paled in comparison to the best permanent escape rooms in the cities that it visited; most of them cost less than the $40-50 per ticket price of this game.
For now, Zelda escape rooms will go dormant for some time. I hope that one day the concept is resurrected and able to become the immersive real-life puzzle adventure through Hyrule that escape room lovers know that it can be. That it should be.
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