Location: Cambridge (Boston), Massachusetts
Date Played: December 13, 2019
Team size: we recommend 2-8 depending on the experience you’re looking for
Duration: 2.5 hours
Price: $49-85 per ticket
Ticketing: Public event
Emergency Exit Rating: [A+] No Lock
Physical Restraints: [A+] No Physical Restraints
Club Drosselmeyer 1942 was the finale to a 4-part annual saga that was introduced in 2016 (or 1939).
Each December for the past 4 years we’ve traveled to Boston, put on our fancy clothes, and spent an evening puzzling, roleplaying, and swing dancing among friends and characters in Club Drosselmeyer. Each year we’ve been treated to a different reimagining The Nutcracker as a World War II techno-conspiracy.
It’s kind of sad to say farewell to a show we’ve watched evolve and grow over the years. (I believe that the plan is to loop back to 1939 next year.) The Club and its characters feel like friends that we only get to see at Christmas.
At this year’s Club Drosselmeyer, the band was on fire, the stage was gorgeous, the drinks were flowing, and the puzzles were plentiful.
The most noteworthy change was the stellar quality of the acting and performances. This has improved with each year, but this most recent show felt leaps and bounds better than the previous year. On the negative side, the line for seeing the main characters had reemerged for the first time since year one.
The puzzling was plentiful, and really enjoyable – if you either knew what you were doing or had someone to guide you into the deep end. Club Drosselmeyer has an impossible amount of content, and part of the experience is acknowledging that you’re going to have your own experience, not an all encompassing experience.
Our night had a funky, entertaining ending that I truly enjoyed as a conclusion for our night… but I didn’t love it as an end to a 4 year journey. Endings are hard, especially variable endings for immersive experiences.
I love Club Drosselmeyer, and if it loops, I’ll probably go back, even if it’s just to dance. At this point it’s a holiday tradition in our family. Viva la Drosselmeyer.
Who is this for?
- Puzzle lovers
- Jazz lovers
- Swing dancers
- Immersive theater fans
- People who are fine with crowds
- People who don’t need to be part of every interaction
- Any experience level … for puzzlers or dancers
- Dance, acrobatic, and magical performances
- 1940-themed party
- Larping (optional)
- Dancing (optional)
- Puzzle hunt-style puzzles (optional)
It was 1942 and the American war machine was starting to move forward. Resources were limited and everyone was looking for ways to tighten the proverbial belt and pitch in.
Industrialist and inventor Herr Drosselmeyer had decided to throw another one of his famous parties. His aim was to sell war bonds and raise money for the nation’s armed forces. As always, Drosselmeyer also intended on using the event to unveil his latest creations from Project Nutcracker.
We returned for a fourth (and final?) time to Club Drosselmeyer. It was the same night club, the same band, the same bandstands, and many of the characters that we’ve come to know, love, and hate… plus a few new characters.
Club Drosselmeyer was the same decadent party that it has been in past years. Everyone was dressed up and the performative acts were as good or better than ever. The spectacle was in full swing.
Club Drosselmeyer 1942 was immersive game with a high level of difficulty. It required a team effort – with teammates focusing on different types of interactions – to solve the story through to its conclusion.
Core gameplay included solving puzzles, conversing with characters, and watching performances. Individuals could choose to engage in any of these as much or little as they liked.
Club Drosselmeyer goers could also choose to opt out of gameplay, sit back and enjoy the band, or spend an evening on the dance floor.
➕ Waiting for us at our table, we found a fantastic comic book that got us up to speed on the story. For those jumping in at year 4, this was especially helpful.
➕ Club Drosselmeyer was as beautiful as ever. I don’t think that I’ll ever get tired of that staging. The new additions to the set were lovely.
➕ The performances were noticeably better than in previous years. Back in year one, the acting was cringe-worthy. It has improved each year since. This year the performers were wonderful and entertaining.
➕ The puzzles were varied in approachability. There were some easier game-like puzzles that engaged beginners. There were also challenging solves requiring focused effort from more experienced puzzlers.
➕/➖ Club Drosselmeyer did a lot to onboard first timers and provided some low-skill games, but it was still challenging for true newbies to find their bearings. I don’t think that most of the newbies really understood how hard they had to play if they wanted to complete the main objective.
➖ The puzzles remained paper-based, even in the interactive environment. They leaned heavily into words and logic. There would be opportunity for more dynamic puzzles in Club Drosselmeyer that branched out into more puzzle types and engaged players in the rest of the spectacle as part of the puzzle solving.
➖ The lines for the main characters bottlenecked. Some of these lines were a result of player confusion, rather than something inherit in the game’s script. However, this confusion, combined with Drosselmeyer’s “guard” being a character that players did not trust, resulted in line-management problems, and players focusing their attention on the wrong thing at the wrong time. It was interesting to us how much the character of the “guard” added complexity to this game mechanic.
➕ Club Drosselmeyer has refined its hint system. The waiters were attentive, serving up hints based on the needs of the group and the overall experience.
➖ The cast and players took over the dance floor. It was the easiest place for players to find and approach the characters. This left less room for dancing. Too much of the drama of the show was happening right in the middle of the dance floor.
➕/➖ 1942 was Club Drosselmeyer’s finale. The ending we triggered was fun, but didn’t feel like the conclusion to a 4-year story arc. Because there are multiple ways a performance of Club Drosselmeyer might end, it’s hard to say where the show and characters will be at the end of the final night. That said, when the show wrapped up, we didn’t feel closure to the larger story and these characters.
❓ You can’t see or do everything in Club Drosselmeyer. Your experience is largely what you decide it will be.
Tips For Visiting
- Parking: I encourage taking mass transit, taxi, or ride share.
- Food: There are ample food options in the neighborhood.
If this show returns to Boston next December, or opens in another city, we hope you’ll book your evening at Club Drosselmeyer, and tell them that the Room Escape Artist sent you.